Its second single, “If It’s Lovin’ That You Want”, peaked at number 36 in the US. After Rihanna signed with Def Jam, Jay-Z and his team spent three months completing her debut studio album. She waited in Jay-Z’s office while lawyers finalized a six-album contract with Def Jam. In early 2005, she performed in New York City for Jay-Z and music executive Antonio “L.A.” Reid, singing Whitney Houston’s “For the Love of You” along with demo tracks “Pon de Replay” and “The Last Time”.
Rihanna returned to her more upbeat sound with her fifth studio album, Loud, which was released on November 12, 2010. The album debuted at number four on the Billboard 200 chart and sold 181,000 copies in its first week. The incident and its aftermath influenced her artistically, prompting her to begin work on her fourth studio album, titled Rated R, one month after the Grammy Awards. The reissue of Good Girl Gone Bad, subtitled Reloaded, was released on June 2; selling 63,000 copies in its first week, it helped the original album rise to number seven in the US. The resulting album, Good Girl Gone Bad, was released on May 31, 2007, to critical acclaim. Aiming to dismiss her girl-next-door image in favour of a more mature and rebellious persona, she worked with such producers as Ne-Yo, Timbaland, Justin Timberlake, and Tricky Stewart for the album.
“And, baby, that’s show business for you,” Taylor Swift declared after announcing her 12th full-length album, The Life of a Showgirl. But with The Life of a Showgirl, it’s clear she’s closing the chapter — or should we say era — of her life that was the catalyst to the new one she’s stepping into. Yes, she is still the same artist who wrote the fairytale-tinged record Fearless, crafted the indie pandemic escape that was folklore, and dove into the depths of her sadness on The Tortured Poets Department. After the muted sonic tones of The Tortured Poets Department, The Life of a Showgirl is possibly Swift’s most jubilant album yet.

Loud

• If Taylor Swift was the soundtrack to navigating the early stages of teenhood, Fearless is Swift’s coming-of-age record.
• Following the success with folklore and evermore, Swift’s intrigue was at a then-all-time high upon the release of Midnights.
• It was especially refreshing to see Rihanna emerge from one of the darkest periods of her life as exuberant as ever.
• This evolution is mentioned throughout Lover, particularly in a direct callback to 2012’s Red, “Daylight,” which sees her describe her love as “golden” rather than “burning red.”
• Her journey from a small island to the bustling music scene of America marked the beginning of her transformational career.
• Without exactly setting out to create an album, she began dreaming of fictional stories and characters with various narrative arcs, allowing her imagination to run free.
• In addition to her musical career, Rihanna acted in the movies Battleship (2012) and This Is the End (2013).

Lead single “We Found Love” is undeniably the biggest hit to stem from the Talk That Talk era, spending 10 consecutive weeks atop the Hot 100. Her longing continues in “Where Have You Been,” which flaunts Rihanna’s versatility, flipping Geoff Mack’s 1959 country song “I’ve Been Everywhere” into an infectious EDM banger. It was especially refreshing to see Rihanna emerge from one of the darkest periods of her life as exuberant as ever.

2006: Career beginnings with Music of the Sun and A Girl Like Me

She’d see visceral images in her mind — from battleships to tree swings to mirrored disco balls — and turned them into stories, sometimes weaving in her own personal narrative throughout, or taking on a narrator role and speaking from the perspective of someone she had never met. Crafting a world with characters like the folklore love triangle between those in “betty” and “august,” as well as Rebekah Harkness from “the last great american dynasty” (who once lived in Swift’s Rhode Island mansion), was Swift’s way of venturing outside her typical autobiographical style of writing. Without exactly setting out to create an album, she began dreaming of fictional stories and characters with various narrative arcs, allowing her imagination to run free. But Lover was more than any accolades could reflect — it was Swift’s transitional album in many ways, notably marking the first album that she owned entirely herself following leaving Big Machine Records for Republic Records in 2018. This evolution is mentioned throughout Lover, particularly in a direct callback to 2012’s Red, “Daylight,” which sees her describe her love as “golden” rather than “burning red.”
Instead, she wanted to capture the years of her life while they still represented what she was going through, writing about what she was observing and experiencing, from love and friendship to feeling like an outsider. Written throughout her adolescence, Taylor Swift was recorded at the end of 2005 and finalized by the time Swift finished her freshman year of high school. In a genre dominated by men, the odds were already stacked against Swift when she first broke into country music as a teenage female artist.
An interpolation of Toots and the Maytals’ 1966 song of the same name, Sister Nancy’s in-studio freestyle was laid over sparse rub-a-dub production, allowing her declaration of ambition and skill to ring loud and clear. In addition to her status as a rare female voice in a sea of male performers at the dawn of dancehall, Sister Nancy is recognized for her influential, highly sampled single “Bam Bam.” While Sister Nancy needn’t be reminded of her influence — “I’m the woman who created dancehall … on the mic system, around the sound system. I’m the one who did all of that, first” — the past 15 years have seen the artist receive her flowers on a global stage. “I will never be your ordinary thing. When you come to see me, it doesn’t matter the time or the space, it’s always going to be good.” “People love what I stand for. I always give the audience something they can think about,” Sister Nancy tells GRAMMY.com, Zooming in from a car in Midtown Manhattan.
It’s a highlight on The Life of a Showgirl as it’s a testament that, regardless of how much time has passed or the fame that Swift has achieved, she still looks back on those who changed her life early on. Swift doesn’t want you to get it twisted, though — this is an album about the life of a showgirl, not an album about being a performer. She’s no longer anxious in love (“Eldest Daughter,” “Honey”) and for the first time, she owns all of her work and is in complete artistic control (“Father Figure”).
Content on this site does not reflect an endorsement or recommendation of any artist or music by the Recording Academy and its Affiliates. And with that tour having celebrated her life’s work up to now, The Life of a Showgirl feels like the exhale before a brand new beginning. “That always chokes me up because it transports me right back to that actual memory of standing on that stage for the last time on that tour that was so important to me, and the tour that really inspired this album. So it’s the last track of the album and a really special one to me.” For a project about being a showgirl, introducing people to the concept of the album at the end was puzzling for some. For her, finding a balance between her career and love, and realizing that they can coexist, makes this album one of Swift’s most — if not the most — romantic to date. Yet these songs admit that she doesn’t want to carry it all alone; she wants partnership, to build something with someone else.

• Armageddon —her first full-length since 2001’s Sister Nancy Meets Fireproof — was released this summer, seven years after it was recorded with Mad Professor in the U.K.
• It spent ten non-consecutive weeks at number one on the Billboard Hot 100, making it both Rihanna’s longest-running chart-topping single and the longest-running number one song in the US in 2011.
• With the dance-pop set Loud (2010), she reflected on the fun she had while recording the album, incorporating ballads, party anthems, and empowering love songs.
• Good Girl Gone Bad remains her best-selling album with over 10 million copies sold worldwide.
• David Bowie fans may well feel aggrieved that his post-punk classic “Scary Monsters (and Super Creeps)” was entirely ignored by GRAMMY voters, while the bro-step banger it inspired was showered with awards.
• The pop star delivered her next effort, Talk That Talk, in November 2011.

It May Just Be Swift’s Most Romantic Album To Date

Throughout The Life of a Showgirl, Swift, Martin and Shellback craft tracks that go beyond what they created with 1989 and reputation. Reuniting with her pop powerhouse collaborators Max Martin and Shellback, who worked on her biggest pop radio hits like “We Are Never Ever Getting Back Together,” “Delicate,” “Blank Space,” and “Shake It Off,” was a return to form after the fog of TTPD. (“And all the headshots on the walls/ Of the dance hall are of the b—es/ Who wish I’d hurry up and die/ But I’m immortal now.”) On “The Life of a Showgirl,” she declares with her fellow showgirl that she isn’t handing over the baton just yet. The showgirl is actually the one in charge (“I was your father figure/ You pulled the wrong trigger/ This empire belongs to me”), alluding to her battle to retain her masters.
Her musical career has been marked by experimentation, and she has stated that her goal was “to make music that could be heard in parts of the world that I’d never been to”. She began vocal training during the recording of Good Girl Gone Bad (2007) under the guidance of Ne-Yo, who taught her breathing techniques and vocal delivery. The song earned her nominations for the Golden Globe and Academy Award for Best Original Song. Alongside Donald Glover, she starred in the film Guava Island (2019), in which she played his character’s love interest.
Rihanna has worked with music video director Anthony Mandler on seventeen music videos, the first being “Unfaithful” (2006). Rihanna was also influenced by artists such as Janet Jackson, Aaliyah, Beyoncé, Celine Dion, Grace Jones, Lil’ Kim, Prince, and Brandy. In her youth, Rihanna often watched Bob Marley on television due to his popularity in the Caribbean. Rihanna identified Brandy’s fourth album, Afrodisiac (2004), as a primary source of inspiration for her album Good Girl Gone Bad. After moving to the US, she was exposed to a wide range of musical genres, which she said had a profound effect on her.
Rolling Stone included her single “Umbrella” in its list of the “500 Greatest Songs of All Time” and her album Anti amongst the “500 Greatest Albums of All Time”. She is the UK’s third best-selling female artist of the 21st century, having sold seven million albums. In August 2018, Billboard ranked Rihanna as the tenth-most successful Hot 100 artist of all time and it also named her the top Hot 100 artist of the 2010s. She has accumulated numerous awards and honours, including nine Grammy Awards, twelve Billboard Music Awards, and thirteen American Music Awards.
She scored another No. 1 hit with the single “Rude Boy,” while the tracks “Hard” and “Russian Roulette” landed squarely in the top 10. Good Girl Gone Bad remains her best-selling album with over 10 million copies sold worldwide. Her lead single “Umbrella,” featuring Jay-Z, lead the Billboard Hot 100 for a whopping seven weeks and later won the Grammy Award for Best Rap/Sung Collaboration in 2008. Her sophomore effort, A Girl Like Me, followed in April 2006, incorporating reggae, rock, and pop influences.

Net Worth and Earning: Income Success

On the Life of a Showgirl track directly named after the late icon, Swift circles back to the themes she touched on with folklore’s “Peace” and the tension between her private reality and her public persona. While half of The Life of a Showgirl’s 12 tracks peer into the darker corners of fame and explores the loneliness, scrutiny and fractures that used to come with it, the other half are dedicated to falling completely head over heels. And on The Tortured Poets Department’s “The Prophecy,” she pleaded for someone to change what she believed to be her predestined future of being alone and what she’d give up to find someone she loves.

A pop and reggae album, A Girl Like Me peaked at number five on the Billboard 200 chart, with 115,000 copies sold in the US in its first week. Impressed, Rogers arranged a second meeting with Rihanna and her mother—this time without the other two girls—and later invited them to his hometown in Connecticut to record demo tapes for record label submissions. Around this time, Rihanna began listening to reggae artists such as Sizzla and Damien Marley, as well as R&B musicians like Whitney Houston and Mariah Carey. She is the highest-certified female digital single artist by the Recording Industry Association of America, and has seven diamond-certified singles and fourteen number-one singles on the Billboard Hot 100. These albums contained the US number-one singles “Rude Boy”, “Only Girl (In the World)”, “What’s My Name?”, “S&M”, “We Found Love”, “Diamonds”, and “Work”. The albums spawned the singles “Pon de Replay” and “SOS”, which peaked at numbers two and one on the US Billboard Hot 100, respectively.

How Taylor Swift’s ‘1989’ Ignited Her Pop Stardom

In August 2021, Forbes announced that Rihanna had become one of the richest entertainers in the world, estimating her net worth to be $1.7 billion at the time following the success of her cosmetic company. In lieu of another album, the singer-turned-entrepreneur, born Robyn Fenty, launched Fenty Beauty in 2017 in partnership with luxury goods conglomerate LVMH, which also preceded a short-lived luxury fashion line. “20 years ago, i left my country, my culture, my food, and family to embark on a journey that started with the release of my very first body of music!” she wrote in an Instagram caption alongside a montage of her biggest career moments. Rihanna officially becomes a billionaire and Forbes names her the ‘richest female musician’
Many of her music videos were shot as short films exploring issues such as love triangles, abuse and substance abuse romance, including “We Found Love” and “Man Down”. The album’s lead single, “Diamonds”, topped the betista casino US Billboard Hot 100, becoming Rihanna’s twelfth number-one song on the chart. A synth-pop record with EDM and hip-hop elements, Unapologetic debuted at number one on the Billboard 200 with first-week sales of 238,000 copies, becoming Rihanna’s first chart-topping album in the US. Rihanna is one of the best-selling music artists of all time, with estimated sales of over 250 million records. “She continued to make incredible art and so this is a love song kind of through the lens of the motif of what she had to go through in her life and sort of the parallels that I feel in my own life.”